Ghanaian Gospel singer Mabel Okyere has opened up about the persistent challenges Gospel musicians face, particularly when it comes to compensation for their performances.
In a recent interview, she revealed the longstanding societal perception that Gospel musicians should not charge fees for their work, an idea she says continues to undermine the efforts of many in the ministry.
“In this world, you’d notice Gospel musicians couldn’t even charge [for their services] in the beginning,” Okyere said, pointing to the resistance she and her colleagues often encounter, especially from church leaders.
“The perception in society is that a Gospel musician shouldn’t charge a fee. So, if you’re on the same programme with a secular artist, they’ll be paid more than you. This mindset must be changed, and it’ll take the collective effort of both veteran and contemporary singers.”
The singer stressed that this unfair treatment is not just an individual burden but a broader industry issue that affects the growth and sustainability of Gospel music in Ghana.
She noted that many gifted Gospel artists are unable to produce or release songs because they lack executive producers or sponsors willing to support their craft.
Okyere also shared a personal story that reflects the financial struggles Gospel musicians often face. Recalling the period shortly after releasing her debut album Ewurade Biribi Hia Me (Lord, I’m In Need) in 2013, she said she once received just GHS100 for a performance, her lowest ever.
“When I opened the envelope at home, as is my custom, I was torn between tears and laughter,” she recounted, opting not to name the pastor who gave her the money. The experience, though disheartening, became a defining moment in her journey and fueled her commitment to speak out on the issue.
So Far So Good is Mabel Okyere’s latest release.
Source: Oyerepafmonline.com
